New York Gallery Uproots Banksy Works
An art gallery in New York's posh Hamptons, currently showing several works by the street artist Banksy is under moral pressure for dealing in looted cultural works. Savvy members of the ARTKABINETT collector network enjoy the "in situ" importance of Banksy's works. The case centers around two murals originally stenciled in Palestine and removed with or without permission from the context of their original execution, by middlemen the London based Bankrobber Gallery . This practice is morally unacceptable to many and galleries, collectors and auction houses should reject these vandalized works. The murals are certified by Pest Control, Banksy's authentication board but not officially authenticated. Works that have been removed from their original locations are never authenticated by the board, who disapprove of this practice. This is an amoral cultural crime that needs to be publicized. Anyone purchasing these dubious works should be ostracized or at least held morally responsible along with the galleries selling them and the people who removed them in the first place. The murals are part of the cultural landscape and the location and context is very much a part of the concept behind the Banksy installations. A lot of thought has gone into choosing the location for the murals and they should be preserved in-situ for everyone. Pest Control has said that they spoke to the Keszler Gallery owner, Stephan Keszler voicing their concerns, but he was unapologetic: "We did warn Mr. Keszler of the consequences of selling expensive artworks without authentication but he didn't seem to care. It's like selling a car without proof of ownership." The mural "Wet Dog", originally appeared on a bus stop and "Stop and Search" appeared on the wall of a butcher shop in Palestine. This now calls into question whether a license for export should have been issued by the disorganized West Bank authorities. They are now among the works for sale at the Keszler Gallery in New York. The harvested pieces were exported from the Middle East with the help of a Palestinian entrepreneur who is thought to have originally removed the paintings. They are on sale for $450,000 each.