DIA Disses Flavin Foundation
New York City -- The Dia Art Foundation's has plans to allow artist duo Allora and Calzadilla to use an artwork by the acclaimed minimalist Dan Flavin for an installation - this decision has caused great controversy as it is being done without the Flavin estate's consent, reported the New York Times.
Art collectors of Art Kabinett social media network are always excited to see a contemporary reinterpretation of a modernist classic.
The artists, Allora and Calzadilla, represented the US at the Venice Biennale in 2011, and intend to install Flavin's Puerto Rican Light (to Jeanie Blake) (1965) in a cave in Puerto Rico. The new work will be an installation of this piece by the minimalist.
This site-specific intervention using Puerto Rican Light (Cueva Vientos), would see Flavin's piece powered by solar panels located outside the limestone cave's mouth.
Dia's installation is planned to open to the public on September 21 of next year.
However, Apparently; unnamed Flavin "partisans," say that they have opposed Allora and Calzadilla's use of the work without the permission of the artist's estate; and go on to claim that Flavin would not have approved of the use of his work in the artist duo's new piece - states the New York Times.
Calzadilla also told the paper on behalf of the artist duo: “The work's methodology of inversion, dependency, power, and distancing will certainly reverberate with the history of uneven exchanges between the United States and Puerto Rico."
Dia curator Yasmil Raymond told the Times: “My role at Dia is to bring validity to both the present and the past. There are people who will undoubtedly see this as a provocation from the perspective of post-colonialism. But I think others will see it as a homage to Flavin and to his evocation of this island." - responding to criticism of the planned installation.
Dan Flavin (1933 –1996) was an American minimalist artist famous for creating sculptural objects and installations from commercially available fluorescent light fixtures. He used fluorescent structures to explore color, light and sculptural space, in works that filled gallery interiors.
Flavin eventually developed his sculptures into room-size environments of light. In 1986, he outlined an entire gallery in ultraviolet light at documenta 4 in Kassel, Germany.
In 1992, Flavin’s original conception for a 1971 piece was fully realized in a site-specific installation that filled the Solomon R. Guggenheim Museum's entire rotunda on the occasion of the museum’s reopening.
Flavin generally conceived his sculptures in editions of three or five, but would wait to create individual works until they had been sold to avoid unnecessary production and storage costs. Until the point of sale, his sculptures existed as drawings or exhibition copies. As a result, the artist left behind more than 1,000 unrealized sculptures when he died in 1996.
Today's homepage Featured Art Video offers a maximum view of Dan Flavin's minimalist fluorescent constructions. http://www.youtube.com/watch?v=ad4SuVCeNV8&sns=em