Black and White Works of Josef Albers
London -- Waddington Custot Galleries will present ‘Josef Albers: Black and White’ in association with the Josef and Anni Albers Foundation, May 6 through June 4, 2014.
Art collectors of Art Kabinett social media network will visit this first-ever exhibition which explores the importance of black and white in Josef Albers’s work.
Almost 50 selected works testify to Albers’s versatility as an artist, featuring works on paper, glass works, photographs and vinyl.
Albers’s appreciation of complex tonal contrasts as a draughtsman, printmaker and photographer would go on to influence his own pupils including Robert Rauschenberg, Cy Twombly and Kenneth Noland. It also formed his ground-breaking and influential book Interaction of Color, Yale, 1963.
Highlights include an important set of six Treble Clef gouaches from the 1930s, showing symbioses of black, white and grey. Six Graphic Tectonic drawings from the 1940s and Structural Constellations from the 1950s depict geometric precision and exemplify his wish to create ‘maximum effect’ from ‘minimal means’.
‘Black and white was a launching point for infinity in Albers’s work’
– Nicholas Fox Weber, Executive Director of the Josef and Anni Albers Foundation
Further works on display include Blick aus Meinem Fenster Stadtlohn, Albers’ earliest extant drawing from 1911; Steps, one of his Bauhaus glass constructions; and some of his greatest photo collages, including one of Paul Klee from 1929.
From the 1930s onwards, Albers visited Mexico on numerous occasions, taking photographs of pre-Columbian sites, including those of Tenayuca and Uxmal which are featured in the exhibition.
The artist is best known for his iconic series of Homage to the Square paintings, focusing on chromatic interactions. Albers created these oils, usually on masonite, for a period of over 25 years. Each consists of three or four squares of solid planes of color.
Josef Albers (b. 1888, Bottrop, Germany; d. 1976, Orange, Connecticut, USA) studied at the Royal Art School, Berlin, and continued at the Bauhaus, Weimar, from 1920. He then taught at the Bauhaus, moving to Dessau when it relocated there in 1925.
The school was closed by the Gestapo in 1933 at which point Albers moved to the United States, with his Jewish wife Anni, to run art education at the newly founded Black Mountain College, North Carolina.
In 1950 he was appointed head of the Department of Design at Yale University and in the same year began the Homage to the Square series which was to occupy him until his death in 1976.
‘The Responsive Eye’ show of Op Art, Museum of Modern Art, New York, 1965, showed his works alongside those of Victor Vasarely, Bridget Riley and Frank Stella, amongst others.
The Metropolitan Museum of Art, New York, held a solo exhibition of his work in 1971, the first retrospective of a living artist ever to be held there.
In 1988, the Solomon R Guggenheim Museum, New York, organized a major retrospective of Albers’s work to mark the centenary of his birth.
Recent solo exhibitions include: Centre Pompidou, 2002 and 2012; The Hirshhorn Museum and Sculpture Garden, Washington DC, 2010; Galleria Civica di Modena, Modena, 2011; The Morgan Library & Museum, New York, 2012; Galleria Nazionale dell'Umbria, Perugia, and Accademia di Brera, Milan, 2013.
The Josef and Anni Albers Foundation, formed in 1963, is a non-profit organization with the aim of furthering ‘the revelation and evocation of vision through art’. The Josef Albers Museum opened in Bottrop, Germany, in 1983.